Luc Boudrias
For 32 years, Luc has been measuring notes, sounds, and words.
A musician by trade, he has rubbed shoulders with the greatest and mixed more than 400 films, documentaries, and TV series. “I first need to understand the intention of the director. Then, far beyond the technical aspect of my work, there is emotion.”
Luc likes to work within a team. “The important thing for me is the collaborative aspect, the complicity between creators that often goes beyond the work itself. It’s a unique human experience.”
PROJECTS
La passion d’Augustine
La femme de mon frère
CRAZY
Arrival
Upside Down
Félix et Meiro
Paul à Québec
The Professor
Piché: Entre ciel et terre
Sarah préfère la course
Chien de garde
L’affaire Dumont
1987
Our Artists
Pierre-Luc Lévesque
“I sift carefully through the brief for each new film or TV project for a word that resonates, that will give me a handle on the idea behind the project, its spirit, its personality.”
See
Francois Trudel
“You need to have seen many images and to have a practiced eye in order to create visual effects that fit seamlessly into a sequence.”
See
Alex Léger
“I believe a good online editor in advertising must be a creative. We also have to be experts in the tools of the trade and in overcoming obstacles, because in advertising, things move quickly and everything has to be just right!”
See
Maxime Voinson
Perspectives in sound are very important to me. I have a special relationship with sound.
See
Karim El Katari
“Colour grading animated images supports the director’s intention. It’s something that should be felt without being seen. I try to be a colour chameleon.”
See
Samuel Boisvert
“I love people. I love working with people, and I think people love working with me!”
See
Jean-Francois Sauvé
"I am the summation of every meeting and every project I’ve ever been involved with for the last 20 years."
See
