Nicolas Dallaire
With each new project, Nicolas finds himself in front of a blank page. “I start to build the acoustic universe of the film based on the idea that is proposed to me; this is my raw material.”
He establishes foregrounds and backgrounds; the areas of shade and light. “Everything is in the arrangement of the elements; the place I choose to position them in the narrative frame.”
Thanks to his solid technical knowledge, combined with his own creative world, he succeeds in translating the director’s vision onto the screen. “I get great satisfaction from this.”
Our Artists
Robert Labrosse
Like a hockey coach, I strive to ensure everyone is skating in the same direction and playing the same game.
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Jean-Francois Sauvé
"I am the summation of every meeting and every project I’ve ever been involved with for the last 20 years."
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Samuel Boisvert
“I love people. I love working with people, and I think people love working with me!”
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Pierre-Luc Lévesque
“I sift carefully through the brief for each new film or TV project for a word that resonates, that will give me a handle on the idea behind the project, its spirit, its personality.”
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Maxime Voinson
Perspectives in sound are very important to me. I have a special relationship with sound.
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Nicolas Fournier
“I’m a creative techie, but you’ll never see me sacrifice creativity to technology.”
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Alex Léger
“I believe a good online editor in advertising must be a creative. We also have to be experts in the tools of the trade and in overcoming obstacles, because in advertising, things move quickly and everything has to be just right!”
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Karim El Katari
“Colour grading animated images supports the director’s intention. It’s something that should be felt without being seen. I try to be a colour chameleon.”
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