Marilène Clouâtre
She knows her instruments well and plays like a skilled musician. “When you have time constraints, it’s important to know what you have to work with.”
Marilène uses colours to adjust images, synchronize and harmonize shots, attract attention, and support action. “I just go there instinctively.”
Her greatest talent? To translate in colour what the director sees in his head. “It starts with a taming; it ends with a beautiful collaboration.”
Our Artists
Jean-Francois Sauvé
"I am the summation of every meeting and every project I’ve ever been involved with for the last 20 years."
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Samuel Boisvert
“I love people. I love working with people, and I think people love working with me!”
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Nicolas Fournier
“I’m a creative techie, but you’ll never see me sacrifice creativity to technology.”
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Pierre-Luc Lévesque
“I sift carefully through the brief for each new film or TV project for a word that resonates, that will give me a handle on the idea behind the project, its spirit, its personality.”
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Maxime Voinson
Perspectives in sound are very important to me. I have a special relationship with sound.
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Alex Léger
“I believe a good online editor in advertising must be a creative. We also have to be experts in the tools of the trade and in overcoming obstacles, because in advertising, things move quickly and everything has to be just right!”
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Karim El Katari
“Colour grading animated images supports the director’s intention. It’s something that should be felt without being seen. I try to be a colour chameleon.”
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Robert Labrosse
Like a hockey coach, I strive to ensure everyone is skating in the same direction and playing the same game.
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