Martin M Messier
When a project arrives on Martin’s desk, that means his colleagues in sound design, dialogue editing, sound-effects editing, music and post-sync have already worked on it. “Mixing is the last step, bringing everything together.”
Martin says it’s like being a director of photography. “Like them, I choose where to put the focus, depending on the scene’s emotional intent.”
With attention to detail and technical finesse, he gives the work his own signature and sound continuity. “It has to be beautiful as a whole.”
Our Artists
Alex Léger
“I believe a good online editor in advertising must be a creative. We also have to be experts in the tools of the trade and in overcoming obstacles, because in advertising, things move quickly and everything has to be just right!”
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Samuel Boisvert
“I love people. I love working with people, and I think people love working with me!”
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Robert Labrosse
Like a hockey coach, I strive to ensure everyone is skating in the same direction and playing the same game.
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Pierre-Luc Lévesque
“I sift carefully through the brief for each new film or TV project for a word that resonates, that will give me a handle on the idea behind the project, its spirit, its personality.”
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Nicolas Fournier
“I’m a creative techie, but you’ll never see me sacrifice creativity to technology.”
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Jean-Francois Sauvé
"I am the summation of every meeting and every project I’ve ever been involved with for the last 20 years."
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Karim El Katari
“Colour grading animated images supports the director’s intention. It’s something that should be felt without being seen. I try to be a colour chameleon.”
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Maxime Voinson
Perspectives in sound are very important to me. I have a special relationship with sound.
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